Comparative Analysis Between the Cinema of Yılmaz Güney and Dariush Mehrjui A Contextual Analysis of two Films: Hope and The Cow

Bu karşılaştırmalı çalışma, İran ve Türkiye'nin iki önemli auteur yönetmeni olan Dariush Mehrjui ve Yılmaz Güney’in sinematik dilleri arasındaki olası benzerlikleri tartışmak için, onların iki filmini analiz etmeye çalışmaktadır: Gâv (The Cow, Dariush Mehrjui, 1969) ve Umut (Hope, Yılmaz Güney, 1970). Bu bağlamda Anthony Giddens'ın yapılandırma teorisine dayalı sosyolojik bir analiz yapmak için, kodlar oluşturuldu ve kodaçımlama yaparak, bağlamsal analiz gerçekleştirilmiştir. Sonuç olarak, iki yönetmenin kullandığı sinema dilinde toplum, kültür, kimlik, siyasal etkinlik ve Hegemonya eleştirisi gibi kavramların, özellikle adı geçen iki filmde bulunmaktadır. İki toplumun aynı zaman diliminde benzer sorunlar yaşadığı ve aralarındaki kültürel ve toplumsal benzerlikler de görünmektedir .

Anahtar Kelimeler:

Yılmaz Güney, Dariush mehrjui, Anthony Giddens, Yapılandırma Kuramı, sinema

Comparative Analysis Between the Cinema of Yılmaz Güney and Dariush Mehrjui A Contextual Analysis of two Films: Hope and The Cow

This comparative study analyzes two films of two important Author directors of Iran and Turkey; Dariush Mehrjui and Yılmaz Güney to investigate the probable similarities between their cinematic languages and attitudes. For this purpose; Gav (The Cow, Dariush Mehrjui, 1969) and Umut (Hope, Yılmaz Güney, 1970) are sociological analyzed based on Anthony Giddens’ theory of structuration. Using contextual analysis and making visual and content codes from both films, the current research intends to find out any common obvious and hidden meanings through decoding them. As a result, it leads to find out similar and close perception of concepts such as society, culture, identity, political activity and critique of Hegemony in their both cinema languages which can be seen on the named films and it proves that there were same problems in the both society at that historical stage and also there are social and cultural connections between two countries.

Keywords:

yılmaz Güney, Dariush Mehrjui, Anthony Giddens, The Structuration Theory, Cinema,

PDF

___

Berkes, N. (2016). Getting Modern in Tuurkey. Ankara: Yapi Kredi Publications.
Coneydi, F.(1969). The Life and Migration of the Aryans According to Iranian Narratives. Tehran: Bonyad Neyshaboor.
Fahrettin, V. (2016). Analysis of the Ideological and Realistic Cinema Language of Yılmaz Güney. Master's Thesis. University of Ordu. Retrieved from: http://earsiv.odu.edu.tr:8080/xmlui/handle/11489/473
Giddens, A. (1981). A Contemporary Critique of Historical Materialism. USA: University of California Press. (1984). The Constitution of Society: Outline of the Theory of Structuration.
Huaco, G. (1983). Sociology of Cinema. Tehran: Ayene Publication.
Jamadi, S. (1996). Cinema and Time. Tehran: Shadegan Publication.
Kinder, M. (2006). Aesthetics of Digital Cinema. Tehran: Markaz Publication.
Laleh, A. (2015). The Footprints of İranian Literature on İranian Cinema. İstanbul: Dört mevsim Publication.
Layder, D. (2019). Modern Social Theory: Key Debates and New Directions. Tehran: Aradman Publication.
Leskiewicz, M. (2004). Towards an Ontological Revival of Legal Theory, part II: Metodological Ethics, Bourdiue, Giddenes and De Ceteau. Journal of Social Sciences. 1(1), 1-31. Retrieved from: https://social.um.ac.ir/article_38901_1a253cd717bc96c132019b8b023f2da4.pdf
Mazandarani, S. Gabanchi, N. (2015). Psychoanalytic Critique of Folk Beliefs and Actions in Bayal's Mourning Story Written by Gholam Hossein Saedi. The Journal of Contemporary Persian Literature. 6(1), 25- 50. Retrieved from: http://ensani.ir/fa/article/382627/نقد-روانکاوانه-باورها-و-کنش-های-عامیانه-در-مجموعه-داستان-عزاداران-بیل-غلامحسین-ساعدی
Mehrabi, M. (1992). The History of İranian Cinema from the Beginning to 1979. Tehran: Peykan Publication.
Omid, J. (1998). The History of İranian Cinema. Tehran: Rowzane Publication.
Pierson, Ch. (1996). The Modern State. Tehran: Kavir Publication.
Rose, J. (1998). Evaluating the Contribution of Structuration Theory to the İnformation Systems Dicipline. Retrieved from: https://www.researchgate.net/publication/228687536_Evaluating_the_Contribution_of_Structuration_Theory_to_the_Information_Systems_Discipline/citation/download
Scognomillo, G. (2003). The History of Turkish Cinema, Turkey: Kabalcı Publication.
Tahami Nejad, M. (2014). What Do We Know About İran. Tehran: Pajuhesh haye farhangi.
Taydaş, N.(2015). The Cinema of Yılmaz Güney. Ankara: Alter publication.
Turner, J. (1984). The Structure of Sociological Theory. Tehran: Navid Shiraz publishing.
Wollen, P. (1998). Signs and Meaning in Cinema. Tehran: Soroush Publications.