GÜL YAŞARTÜRK

2000 SONRASI TÜRK SİNEMASINDA DEĞİŞEN KADIN İMGELERİ: “MAVİ DALGA” FİLMİNDE ÖZNE OLARAK KADIN ve “İKİMİZİN YERİNE” FİLMİNDE ANLATININ GİZEMİ OLARAK KADIN

CHANGING IMAGES OF WOMEN IN TURKISH CINEMA IN THE 2000S: WOMAN AS SUBJECT IN “THE BLUE WAVE” AND WOMAN AS RIDDLE OF NARRATIVE IN “FOR BOTH OF US”

The Turkish Online Journal of Design, Art and Communication

2018-Cilt: 8 - Sayı: 3

518-525

152