Meltem CAN

SAHNEDEKİ DELİ KADINLAR: EURİPİDES’İN MEDEA, HENRİK IBSEN’İN HEDDA GABLER VE EUGENE O’NEİLL’İN GÜNDEN GECEYE ADLI ESERLERİNDE KADIN DELİLİĞİ

Tarih boyunca toplumsal cinsiyet rollerine karşı çıkan kadınlar ataerkil toplum tarafından çoğunlukla histerik, deli ya da tehlikeli olarak addedilmişlerdir. Kadınları delilikle bağdaştıran ve süregelen bu eğilim tiyatroda da yankı bulmuştur. Bu açıdan, bu çalışma Eupides’in Medea, Henrik İbsen’in Hedda Gabler ve Eugene O’Neill’in Günden Geceye adlı eserlerinde dayatılan normallik sınırlarını aşan aykırı kadınların resmedilişini inceleyecektir. Ekonomik olarak eşlerine bağımlı ve toplumsal beklentiler karşısında huzursuz hisseden Medea, Hedda ve Mary ataerkilliğe karşı koyuşlarıyla deliliğin sınırlarına itilen farklı dönemlerin trajik kadın kahramanlardır. Tutkularını ve görece özgürlüklerini feda ettikten sonra, bu alışılmadık kadın başkahramanlar dikte edilen toplumsal cinsiyet rollerini ve annelik imgesini reddedişlerinde buluşurlar ki bu karşı duruş Medea’nın öz oğullarını öldürmesine ve Hedda’nın hayatına son vermesine sebep olurken Mary’e gerçekle bağlantısını morfinle kesmekten başka çıkar yol bırakmaz.

MAD WOMEN ON STAGE: FEMALE INSANITY IN EURIPIDES’ MEDEA, HENRIK IBSEN’S HEDDA GABLER and EUGENE O’NEILL’S LONG DAY’S JOURNEY INTO NIGHT

Throughout the history, women challenging their gender roles have mostly been labelled as hysterical, mad or dangerous by the patriarchal society. This long-seated tendency to associate women with insanity has also been echoed in drama. In that regard, this paper will explore the representation of nonconformist women who transgress the boundaries of imposed normality in Euripides’s Medea, Henric Ibsen’s Hedda Gabler and Eugene O’Neill’s Long Day’s Journey into Night. Financially dependent and restless with societal expectations, Medea, Hedda and Mary are tragic heroines of different eras resisting patriarchy that finally bring them on the verge of madness. After having sacrificed their aspirations or relative freedom for their marriages, those atypical female protagonists meet on a common ground in their repudiation of the dictated gender roles and motherhood image, which leads Medea to murder her own sons and Hedda to end her life while leaving Mary no choice than cutting off from reality through morphine.

Keywords:

Medea, Hedda Gabler, Long Day's Journey into Night female insanity,

Tam Metin

Kaynakça

Euripides. Medea. (1998). In Drama: Classical to Contemporary. ed. Coldeway and Streitberger. Prentice Hall: New Jersey, 1998. (73-95).

Ibsen, Henrik (2000). Hedda Gabler. In Drama: Classical to Contemporary. ed. Coldeway and Streitberger. (pp. 550-583). Prentice Hall: New Jersey.

O'Neill, Eugene ( 2009). “Long Day's Journey Into Night”. Norton Anthology of Drama. Vol. 2. (pp. 932-1012). New York: Norton P.

Bressler, C. E. (1999). Literary Criticism: An Introduction to Theory and Practice. (pp. 932-1012). New Jersey: Prentice Hall P.

Coldewey, John C. & W. R. Streitberger (2000). Drama: Classical to Contemporary. New Jersey: Prentice Hall P

Code, L. (ed) (2000). Encyclopedia of Feminist Theories. New York: Routledge.

Chesler, Phyllis (1997). Women and Madness. 2nd ed. New York: Four Walls Eight Windows P.

Ellis, L. (1999). Appearing to Diminish: Female Development and the British Bildungsroman, 1750-1850. London: Associated UP.

Hirsch, Marianne (1983). ‘Spiritual Bildung: The Beautiful Soul as Paradigm.’ In The Voyage In: Fictions of Female Development. (Eds) Abel, Hirsch, and Langland. (pp. 23-48). Hanover and London: University Press of New England.

Mastin Luke “Medea”. An Elite Cafe Media Publisher. https://www.ancient-literature.com/greece_euripides_medea.html. (16.04.2019).

Pfister, Joel (1995). Staging Depth: Eugene O’Neill and the Politics of Psychological Discourse. Chapel Hill, NC: U of North Carolina P.

Rice, Philip & Patricia Waugh (ed.) (2001). Modern Literary Theory: A Reader. London: Arnold.

Ruthven, K. K. (1984). Feminist Literary Studies: An Introduction. Great Britain: Cambridge University Press.

Kaynak Göster

Bibtex	@araştırma makalesi { pausbed681422, journal = {Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi}, issn = {1308-2922}, eissn = {2147-6985}, address = {Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Kınıklı Yerleşkesi 20070 Kınıklı – DENİZLİ / TÜRKİYE}, publisher = {Pamukkale Üniversitesi}, year = {2020}, volume = {}, pages = {405 - 416}, doi = {10.30794/pausbed.681422}, title = {MAD WOMEN ON STAGE: FEMALE INSANITY IN EURIPIDES’ MEDEA, HENRIK IBSEN’S HEDDA GABLER and EUGENE O’NEILL’S LONG DAY’S JOURNEY INTO NIGHT}, key = {cite}, author = {Can, Meltem} }
APA	Can, M . (2020). MAD WOMEN ON STAGE: FEMALE INSANITY IN EURIPIDES’ MEDEA, HENRIK IBSEN’S HEDDA GABLER and EUGENE O’NEILL’S LONG DAY’S JOURNEY INTO NIGHT . Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi , (40) , 405-416 . DOI: 10.30794/pausbed.681422
MLA	Can, M . "MAD WOMEN ON STAGE: FEMALE INSANITY IN EURIPIDES’ MEDEA, HENRIK IBSEN’S HEDDA GABLER and EUGENE O’NEILL’S LONG DAY’S JOURNEY INTO NIGHT" . Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi (2020 ): 405-416 <https://dergipark.org.tr/tr/pub/pausbed/issue/55392/681422>
Chicago	Can, M . "MAD WOMEN ON STAGE: FEMALE INSANITY IN EURIPIDES’ MEDEA, HENRIK IBSEN’S HEDDA GABLER and EUGENE O’NEILL’S LONG DAY’S JOURNEY INTO NIGHT". Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi (2020 ): 405-416
RIS	TY - JOUR T1 - MAD WOMEN ON STAGE: FEMALE INSANITY IN EURIPIDES’ MEDEA, HENRIK IBSEN’S HEDDA GABLER and EUGENE O’NEILL’S LONG DAY’S JOURNEY INTO NIGHT AU - Meltem Can Y1 - 2020 PY - 2020 N1 - doi: 10.30794/pausbed.681422 DO - 10.30794/pausbed.681422 T2 - Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi JF - Journal JO - JOR SP - 405 EP - 416 VL - IS - 40 SN - 1308-2922-2147-6985 M3 - doi: 10.30794/pausbed.681422 UR - https://doi.org/10.30794/pausbed.681422 Y2 - 2020 ER -
EndNote	%0 Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi MAD WOMEN ON STAGE: FEMALE INSANITY IN EURIPIDES’ MEDEA, HENRIK IBSEN’S HEDDA GABLER and EUGENE O’NEILL’S LONG DAY’S JOURNEY INTO NIGHT %A Meltem Can %T MAD WOMEN ON STAGE: FEMALE INSANITY IN EURIPIDES’ MEDEA, HENRIK IBSEN’S HEDDA GABLER and EUGENE O’NEILL’S LONG DAY’S JOURNEY INTO NIGHT %D 2020 %J Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi %P 1308-2922-2147-6985 %V %N 40 %R doi: 10.30794/pausbed.681422 %U 10.30794/pausbed.681422
ISNAD	Can, Meltem . "MAD WOMEN ON STAGE: FEMALE INSANITY IN EURIPIDES’ MEDEA, HENRIK IBSEN’S HEDDA GABLER and EUGENE O’NEILL’S LONG DAY’S JOURNEY INTO NIGHT". Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi / 40 (Haziran 2020): 405-416 . https://doi.org/10.30794/pausbed.681422
AMA	Can M . MAD WOMEN ON STAGE: FEMALE INSANITY IN EURIPIDES’ MEDEA, HENRIK IBSEN’S HEDDA GABLER and EUGENE O’NEILL’S LONG DAY’S JOURNEY INTO NIGHT. PAUSBED. 2020; (40): 405-416.
Vancouver	Can M . MAD WOMEN ON STAGE: FEMALE INSANITY IN EURIPIDES’ MEDEA, HENRIK IBSEN’S HEDDA GABLER and EUGENE O’NEILL’S LONG DAY’S JOURNEY INTO NIGHT. Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi. 2020; (40): 405-416.
IEEE	M. Can , "MAD WOMEN ON STAGE: FEMALE INSANITY IN EURIPIDES’ MEDEA, HENRIK IBSEN’S HEDDA GABLER and EUGENE O’NEILL’S LONG DAY’S JOURNEY INTO NIGHT", Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, sayı. 40, ss. 405-416, Haz. 2020, doi:10.30794/pausbed.681422