Musicologist
- Traditions of Sufi Dhikr in the Musical-Poetical Culture of Tatar Muslims
- Discovering One’s Self Through Embodiment of Tradition in Meşk: An Analysis of the Mode of Transmission in Turkish Performative Traditions
- The Relation of Music Archiving and Intangible Cultural Heritage in Serbia
- Where is the Homeland in My Music?: Interhomelands Migration
- Georgian Songwriter's Folk Song of Soviet Epoch as a Victim of “Authenticism”
- Transnationality, Transculturality and Ethnicity: A Look at Balkan Fest, San Diego, California
- Itineraries of Enlightenment: Whirling Dervish Shows, Ethnographic Reflexivity, and Tourism in Egypt and Turkey
- Historical Sources of Turkish Music in Berlin: The Kurt Reinhard Collections in the Berlin Phonogramm-Archiv
- Music and Ritual in Trebbus Mevlevi Tekke (Lodge) in Germany
- The Role of Macedonian Folk Songs Featured in Macedonian Films in Amplifying the Emotions
- Cross-Cultural Influences in Makam Theory: The Case of Greek-Orthodox Theorists in the Ottoman Empire
- General Overview of Art Music in Kosovo: Social and Political Impact
- “Sung Poetry” of the South Siberian Turks: Interrelations between Music and Poetry
- The Azeri Aşıq in Iran and the Republic of Azerbaijan: Towards a Transnational Comparison of a Diverging Tradition
- Ancient Greek Rhythms in Tristan and Nietzsche
- Towards the History of Ideas in Ethnomusicology: Theory and Methods between the Late 18th and the Early 20th Century
- The Musical Performance Presented for Sultan Abdülaziz at the Crystal Palace - As an Example Using Music as a Diplomatic Tool
- The Spring Holiday Nauryz-Meiramy in the Kazakh Tradition
- Metaphors and Meaning in the Turkish Contemporary Christian Music
- Shift and Transformation in Salento: Investigating Change in the Polyphonic Structure and Performance Practice of Canti Polivocali in Southern Puglia
- Gesture in Musical Declamation: An Intercultural Approach
- Representing Musical Identities of Children with Migrant Background - An Example from the Research Project Music without Borders
- Larchemi/Soinari - The Georgian Panpipe
- Modern Laments in Northwestern Greece, Their Importance in Social and Musical Life and the “Making” of Oral Tradition
- ‘Between East and West’: Socialist Modernism as the Official Paradigm of Serbian Art Music in the Socialist Federal Republic of Yugoslavia
- Yayın Aralığı: Yılda 2 Sayı
- Başlangıç: 2017
- Yayıncı: Trabzon Üniversitesi
6.7b 1.9b