GEOMETRİNİN SANAT ESERİ ÜRETİMİNDE YARATICILIĞA ETKİSİNE BİR ÖRNEK, "EVİRE ÇEVİRE" HEYKEL SERGİSİ*

İnsan; doğada var olan canlı ve cansız varlıkların sahip olduğu nokta, çizgi, açı, yüzey gibi kavramların birbirleriyle olan matematiksel ilişkilerinin düzenini, farkına varmadan bilinçaltına yerleştirdiği oranları kullanarak yaşamını sürdürür. Belirli bir sistematik içersinde bilinçle beraber devam eden bu süreç, kişisel gelişim doğrultusunda insan yeteneğinin farklı alanlarda kullanmasına olanak sağlar. Sezgilerimiz, mantığımız, farkında olmadan çözümlediğimiz basit hesaplar, bireyselliğimiz ve tüm bunların dışa vurumu sonucu oluşan estetik değer algımız, aslında matematiksel olarak çevremizdeki olay ve nesneleri çözümleme sürecimizdir.

AN EXAMPLE OF THE GEOMETRY EFFECT ON CREATIVITYIN THE PRODUCTION OF ART WORKS, "EVİRE ÇEVİRE" SCULPTURE EXHIBITION

Human; he continues his life by using the proportions of the living and inanimate beings that exist in nature, the lines, angles, surfaces, and the mathematical relations with each other. This process, which continues with consciousness within a certain systematic, allows human ability to use in different fields in the direction of personal development. Our intuition, our logic, our simple calculations that we have unwittingly solved, our individuality and the aesthetic sense of value that is the outcome of all these outcomes, in fact mathematically, the process of analyzing the events and objects in our circle. From the past to this day, geometry has been especially preferred in the process of creating a new form preferred by artisans and artists in the production of everyday use and art objects. The triangle, one of the first known forms of geometry, has been used as a design element that is as wide as everyday. The reason for this is that it is a form of symbolic expression that tells the most simple idea of the idea that a person has. We see triangles in some of the symbols used in many civilizations and belief systems that have reached daily life. Interpretation at the art; geometrical forms are indispensable in the creative process of theory, concept, principle and shaping elements. This exhibition is also designed on 36 degree angles. The designer presents his / her own emotional expressions as communication with the viewer, giving the audience the freedom of different options, in a way that creates different emotions and forms from different perspectives.

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ÜLGER Ali, Mısır ve Mezopotamya Matematiği, Matematik Dünyası, 2003, Kış

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