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• KAYNAKÇA
• • ARTAUD, Antonin, “The Theatre of Cruelty. Second Manifesto” in
• Eric BENTLEY (ed.), The Theory of the Modern Stage [1968], London:
• Penguin Books, 1989.
• • BECKETT, Samuel, The Complete Dramatic Works, London:
• Faber and Faber, 1986.
• • BECKETT, Samuel, L’Innommable, Paris: Editions de Minuit,
• -
• • BECKETT, Samuel, En attendant Godot, Paris: Editions de Minuit,
• -
• • DERRIDA, Jacques, “La parole soufflée”, L’écriture et la différence,
• Paris: Editions du Seuil, 1967.
• • GIRARD, Didier, POLLOCK, Jonathan, Eds, Invectives. Quand le
• corps reprend la parole, Presses Universitaires de Perpignan, 2006.
• • GROSSMAN, Evelyne, La Défiguration. Artaud-Beckett-Michaux,
• Paris: Les Editions de Minuit, 2004.
• • GROSSMAN, Evelyne, “Le théâtre de la cruauté de Samuel
• Beckett” in Les théâtres de la Cruauté. Hommage à Antonin Artaud,
• • DUMOULE, Camille, Ed., Paris: Editions Desjonquères, 2000.
• • KALB, Jonathan, Beckett in Performance, Cambridge University
• Press, 1989.
• • POUNTNEY, Rosemary, Theatre of Shadows. Samuel Beckett’s
• Drama 1956-1976, Gerrards Cross: Colin Smythe, 1988.
• NOTLAR
• Billie WHITELAW’dan aktaranJonathan KALB, Beckett in
• Performance, Cambridge University Press, 1989, 147 s.
• Evelyne GROSSMAN, La Défiguration. Artaud-Beckett-Michaux,
• Paris : Les Editions de Minuit, 2004, s. 54.
• Antonin ARTAUD, “The Theatre of Cruelty. Second Manifesto” in
• Eric BENTLEY (ed.), The Theory of the Modern Stage [1968], London:
• Penguin Books, 1989, s. 66.
• Beckett’in oyunlarına yapılan tüm referanslar için Samuel
• BECKETT, The Complete Dramatic Works, London: Faber and Faber,
• -
• Pierre CHABERT’den aktaran Jonathan KALB, Beckett in
• Performance, Cambridge University Press, 1989, 44s.
• Antonin ARTAUD’dan aktaran Eric BENTLEY, (ed.), age.,. 59 s.
• Conversation with Walter ASMUS, Jonathan KALB, aget., 181 s.