Klasik edebiyat, altı asır boyunca, cihanda hüküm sürmüş bir medeniyetin içinde nüve bulmuş, o medeniyetin içinde şekillenmiş ve kâmil hale gelmiştir. Öyle ki altı asır boyunca dünyada mecvut olan bir medeniyetin lisanı haline gelmiştir. Bu bağlamda klasik edebiyat birçok şair yetiştirmiş ve bu şairler de kendine özgü üslubuyla, birbirinden doğrudan ya da dolaylı bir şekilde etkilenerek eserler meydana getirmişlerdir. Divan edebiyatı bünyesinde barındırdığı malzemenin mahiyeti itibariyle benzerlik, paralellik ve gelenek üzerine inşa edilmiştir. Şairler aynı malzeme ile farklı şeyler ortaya koymaya çalışmıştır. Bu durum tabii olarak birçok şairin birbirinden etkilenmesine zemin hazırlamıştır; fakat her şair birbirinden etkilenmemiş devrinin mihenk taşı olan şairler diğer şairler üzerinde hem edebi açıdan hem sanat ve estetik açısından hem de üslup açısından daha baskın ve etkili olmuşlardır. 16.yy'ın en büyük şairlerinden biri olan Fuzûli yalnızca devrindeki şairleri değil kendisinden sonra gelen birçok şairi de tesiri altında bırakmıştır. Bu çalışmamızda Fuzûli'nin Türkçe divanındaki ilk gazelin ilk beyti olan; "Kad enâr el-aşk-ı li'l-'uşşâkı minhâci'l-hüdâ Salik-i râh-i hakikat aşka eyler iktida" şiirinin diğer şairler üzerindeki tesirini inceleyeceğiz. Taramış olduğumuz divanlarda toplam 20 şairin benzer ve farklı şekillerde bu mısraları iktibasta bulunduğunu tespit ettik

Classic literature, six centuries had reigned an empire the world has emerged and it has become perfectly to shape of civilization. So that was the language of an empire dominating the world for six centuries. In this context, many trained and poet of poets in the style of its own, separated from each other either directly or indirectly influenced by the works of art they created. Classic literature, similarity as the nature of the object that embodies, is built on parallel and traditions. This situation naturally paved the way for many poets to be influenced by each other; however, not every poet was influenced by each other, as those poets who were the touchstones of their age were more dominant and influential on other poets both literarily and in terms of art and aesthetics as well as style of language. Fuzûli, one of the greatest poets of the 16th century, only affect the poets of the century, and has influenced many poets. In this study, the first couplet of the first ghazal of Divan of Fuzûli “Kad enâr el-aşk-ı li'l-'uşşâkı minhâci'l-hüdâ Sâlik-i râh-i hakikat aşka eyler iktida” We will examine the impact on the other poets of his poetry. we have examined in divans, similar and different ways I've found that a total of 20 poets in the quoted these verses. In the tradition of Divan poetry are some poets each of whom put his stamp on the century in which he lived and became prominent with his art and aesthetics. This had a profound effect on the poet of poets in times in which they live and and became a guideline them. Fuzûli, despite living in the 16th century did not affect only the 16th century poet; poet who has to feel the impact even in the third century after him Fuzûli’s there are several reasons why it is so effective on the other poets. Fuzûli is a suffering poet, he is one who enjoys suffering. Fuzûli has been busy with science. In this case, he has been a popular poet, reflected in the works of art and aesthetics. has been a writer read by humans which is the first couplet of the first ghazal in Fuzûli's Divan in Turkish: “Kad enâr el-aşk-ı li'l-'uşşâkı minhâci'l-hüdâ Sâlik-i râh-i hakikat aşka eyler iktida” In our study we have identified: a total of 20 poets in this context, influenced by this situation have taken the first couplet of the ghazal in different ways.The 16th century, for the Anatolian lands, appears to be one in which political movements increasingly accelerated and, in parallel with this, literary activities reached the highest peak. In addition to newly conquered lands and the appearance of new schools of thought, it is observed that classical literature, having gone beyond the period of infancy, escaped from the influence of Persian literature and came to acquire a more original identity. Besides, the fact that the sultans of the period personally wrote poetry themselves and laid great importance on the poet rendered classical literature more popular among the populace. Thought by poets to be the one and only means of communication, poetry was to produce its most mature samples once more in this very century in the hands of great poets. Undoubtedly, the most influential poet within the century was Fuzuli, in light of both the poems that he composed and the poets over whom he had a considerable influence. One of the most lyrical and vibrant poets in Turkish literature, Fuzuli made his poetic influence felt even by poets who were to live three centuries after him just as he influenced poets affiliated with the Divan literature in his own time. As a natural result of all this literary success, he became one of the greatest poets of not only his time but also of the Turkish literature of all time. In Fuzuli’s Divan in Turkish, there are 300 ghazals, about 40 quatrains and almost 70 rubaies. Besides his Divan in Turkish, Fuzuli also wrote a Divan in Arabic and a Divan in Persian. In our study, it is investigated in what ways those lines which constitute the initial couplets of the first ghazal in Fuzuli’s Divan in Turkish have influenced other poets. “Kad enâr el-aşk-ı li'l-'uşşâkı minhâci'l-hüdâ Sâlik-i râh-i hakikat aşka eyler iktida” It has been determined that in the context of those divans which have been combed through for this study, 20 different poets in total received an influence in this way.