MODERNİST Mİ, ROMANTİK Mİ? NİMA YUSHIİ’NİN HİKAYELERİNDE SANATSAL ÖĞELER

Nima Yushij’in Afsaneh’i devrim niteliğindeki serbest nazımı ile Modern İran Şiiri açısından bir mihenk taşı olarak kabul edilmektedir. Bununla birlikte, yeni bir çağ açmış olan bu mihenk taşının biçemsel sınıflandırması açısından alanyazında yaygın olarak yanlış bir kabul baskın görülmektedir. Sanatsal özellikleri açısından Modernistten daha çok Romantik akıma ait olarak ifade edilmesinin daha uygun olduğu aşikâr olan Afsaneh’in tam tersi bir şekilde anıldığı gözükmektedir. Böylelikle mevcut çalışma Nima Yushij’in Afsaneh’inin yanlış yorumlanan şu anki durumuna, akademik ilgiyi modernist ve modern kavramlarının anlamsal farkına çekmeye ek olarak, şiirin romantik akıma ait unsurlarının detaylı olarak incelenmesi yoluyla ışık tutmayı denemektedir.

MODERNIST OR ROMANTICIST? ARTISTIC ELEMENTS IN NÎMA YUSHIJ’S AFSANEH

Nima Yushij’s Afsaneh, with its revolutionary free verse style, is acknowledged to be a touchstone for Modern Persian Poetry. Yet, a common misconception seems to be prevalent in the literature as to the stylistic classification of this touchstone which ushered in a new era. Afsaneh, for which it sticks out to be more proper to be pronounced as romanticist rather than modernist in terms of its artistic features appears to be designated the other way round. Accordingly, the present study seeks to shed light on the recent misinterpreted situation of Nima Yushij’s Afsaneh via scrutinizing its romanticist elements in addition to drawing the academic attention to the semantic difference between the concepts; modernist and modern.

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