Mevcut araştırma makalesi, Oscar Wilde tarafından yazılan Dorian Gray’in Portresi romanının temalarının ve karakterlerinin odaklanmış metin analizini gerçekleştirerek, çalışmayı yazarın biyografisinin ayrıntılarına uygun referanslarla harmanlamakta ve temel eleştirel anlayışlar sağlamaktadır. Çalışmanın özelliği, romanı yan yana duran iki farklı türü kapsayacak şekilde düşünmekte yatmaktadır: otobiyografi (çökmekte olan değerler) ve benzetme (ahlaki değerler). Yazar bunları kurgusal olarak birleştirerek, aynı zamanda idealize edilmiş sanatsal estetik dünya görüşünün üstünlüğünü -zaman zaman geleneksel ahlakın yerini alır- aktarırken ve insanlığın saf da olsa iyi doğasını güçlendirirken, her ikisi de riyakâr toplumun boğucu gerçekliğine karşı okuyucunun ruhu için (sonsuz) mücadeleye girişmektedir. Makale, araştırma iddialarını desteklemek için Wilde'ın aforizmaları ve alıntılarıyla destekleniyor.
Current research paper performs focused textual analysis of themes and characters of the novel The Picture of Dorian Gray by Oscar Wilde intertwining the study with pertinent references to details of the author’s biography thus providing essential critical insights. Peculiarity of the paper lays with it considering the novel to encompass two distinct juxtaposed genres: an autobiography (decadent values) and a parable (moral values). By synthetically combining them, the author at the same time conveys superiority of idealized artistic aesthetic worldview of reality (at times superseding conventional morality) while reinforcing fundamental if naïve good nature of humanity with both of them engaged in (endless) struggle for the reader’s soul against the suffocating reality of hypocritical society.
___
Baker Jr, H. A. (1969). A tragedy of the artist: the picture of Dorian Gray. Nineteenth-Century Fiction, 24(3), 349-355.
Bashford, B. (2002). When critics disagree: recent approaches to Oscar Wilde. Victorian Literature and Culture, 30(2), 613–625.
Clausson, N. (2003). Culture and corruption: paterian self-development versus gothic degeneration in Oscar Wilde's the picture of Dorian Gray. Papers on Language and Literature, 39(4), 339-364.
Frankel, N. (2011). Textual introduction. In O. Wilde, & N. Frankel (Ed.), The picture of Dorian Gray: an annotated, uncensored edition (pp. 38-64). Cambridge: Harvard University Press.
Liebman, S. W. (1999). Character design in the picture of Dorian Gray. Studies in the Novel, 31(1), 296-316.
Linder, D. O. (1895). Testimony of Oscar Wilde. Famous trials. https://www.famous-trials.com/wilde/342-wildetestimony
Linder, D. O. (1895). The trials of Oscar Wilde: an account. Famous trials. https://www.famous-trials.com/wilde/327-home
Matsuoka, M. (2003). Aestheticism and social anxiety in the picture of Dorian Gray. Journal of Aesthetic Education, 29, 77-100.
Nunokawa, J. (1996). The importance of being bored: the dividends of ennui in the picture of Dorian Gray. Studies in the Novel, 28(3), 357-371.
Oates, J. (1988). The picture of Dorian Gray: Wilde's parable of the fall. In O. Wilde, & D. L. Lawler (Ed.), The picture of Dorian Gray (pp. 422-431). New York: W. W. Norton.
Pearce, J. (2001). The unmasking of Oscar Wilde. London: Harper Collins.
Peters, J. G. (1999). Style and art in Wilde's the picture of Dorian Gray: form as content. Victorian Review, 25(1), 1-13.
Wilde, O. (1923). Decay of Lying. In Complete works of Oscar Wilde, patron's edition deluxe (Vol. 5). Garden City: Doubleday.
Wilde, O. (1966). The complete works of Oscar Wilde. London: Collins.
Wilde, O. (1998). The picture of Dorian Gray. London: The Electric Book Company. Wilde, O. (2002). The complete letters of Oscar Wilde. (M. Holland, & R. Hart-Davis, Eds.) New York: Henry Holt.