Almanya ve Hollanda’daki Türkçe Rap Sahnelerinin Karşılaştırılması

Bu makalenin temel amacı, Türk nüfus yoğunluğunun yüksek olduğu Almanya ve Hollanda arasındaki,özellikle 1980'lerin başlarından 1990'ların sonlarına kadar etkisini gösteren sosyo-politik farklılıkların, Türk.eRap Müziği’nin erken dönemlerinde gelişimini nasıl etkilediğini tartışmak olacaktır. Buradaki temel sorular,Türk.e Rap Müziği denildiğinde ilk akla gelen ülkenin neden Almanya olduğu, Hollanda’nın ise akla nedengelmediğidir. Bunun hangi etkenlerin sonucu olduğu somut farklılıklar aracılığıyla gösterilmeye çalışılacaktır.Bu iki ülke arasındaki kültürel ve politik farklılıklar, ev sahibi toplumların yabancılara karşı tutumu, Hollanda'daki Türk.e-Rap sahnesinin Almanya’dan daha az “gelişmiş” kalmasına mı neden olmuştur.

Anahtar Kelimeler:

Türkçe Rap Sahneleri, Çokkültürlülük, Dışlayıcı Politikalar, Vatandaşlık, Almanya, Hollanda.

COMPARING TURKISH-SPEAKING RAP SCENES IN GERMANY AND THE NETHERLANDS

The main purpose of this article is to explore to which degree socio-political differences between Germanyand the Netherlands particularly from early 1980s to late 90’s, where the Turkish population has a highdensity, affect developments of the Turkish-speaking rap music scenes in early 2000s. Here, the basic questionis why Germany generally comes to mind when many people think of Turkish-rap music, but the Netherlandsdoes not. To answer this question, I basically examined to what extent political (particularly as regards migrationpolicies) and social conditions in the two countries have influenced the development of Turkish-language rapmusic. Cultural and political differences between these two countries and also the attitudes of the host societytowards foreigners have led the Turkish rap scene in the Netherlands to remain less “developed” than that of Germany.

Keywords:

Turkish Rap Scenes, Exclusionist Policies, Multiculturalism, Citizenship, Germany, Netherlands.,

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