17. YÜZYIL MÜZİĞİ’NDE GROUNDBASS TEKNİĞİNİN BAROK DÖNEMİN BAĞLAMINDA TEMSİL ETTİĞİ KİMLİK1
THE GROUNDBASS TECHNİQUE İN 17THCENTURY MUSİC AND ITS IDENTİTY WİTHİN THE CONTEXT OF THE BAROQUE ERA)
In the Baroque period, which was very important in the music history, crucialDynamics such as science, art, philosophy, social structure were questioned with thechanging World order. This process had wide reflections on music in the 17thCentury and had a lead on the development swhich were milestones in humanity.Under the effects mentioned and with the compositions of the musicians ofCamerata, GroundBass was gradually replaced by the musical forms like Opera,Madrigal, Concerto, Sonat, Choral-Prelud, Tocatto, Fuga, Dance Suite and reappearedin the 20th Century.Keywords: 17thCentury Music,
Keywords:
Keywords: 17thCentury Music, BaroqueEra, GroundBass, Variation Isaac Newton Florentine Camerata,
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- BUKOFZER, Manfred (1955). TheBaroque in Music History. The Journal of Aesthetics and Art Criticism. Vol. 14, No. 2, Blackwell Publishing.
- HODEIR, Andre (1999). Müzik Türleri ve Biçimler, İstanbul: İletişim Yayınları.
- GRIFFITHS, Paul (2006). Batı Müziğinin Kısa Tarihi, Cambridge: Camdridge University Press.
- KAYGISIZ, Mehmet (1999). Müzik Tarihi, İstanbul: Kaynak Yayınları.
- SACHS, Curt (1965). Kısa Dünya Musikisi Tarihi, İstanbul: Milli Eğitim Basımevi.
- SADIE, Stanley (2001). The New Grove Dictionary of Music &Musicians Edition 2, Oxford: Oxford University Press.
- SIMPSON, Christopher (1959). The Division-Violistor Introduction To The Playing Up On A Ground, Londra: William Godbid Press.
- WALTON, Charles (1974). Basic Forms in Music, California: Alfred Publishing.
- İnternet Kaynakları
- http://www.sheetmusicfox.com
- http://imslp.org/wiki/Introduction_and_Passacaglia_in_D_minor_%28Reger,_Max%29
- ISSN: 2651-4818
- Yayın Aralığı: Yılda 2 Sayı
- Başlangıç: 2011
- Yayıncı: Ege Üniversitesi
Sayıdaki Diğer Makaleler
MANAS DESTANI’NDA ASKERÎ MÜZİK
BİLGİSAYAR MÜZİĞİ DİLLERİNİN TARİHÇESİ
“İZMİR II. ULUSAL MÜZİK SEMPOZYUMU”ARDINDAN ‘MÜZİKTE GELENEK, MODERNİTE VE POSTMODERNİTE’
KÜLTÜREL MELEZLİK BAĞLAMINDA TEPECİK FİLARMONİ ORKESTRASI
17. YÜZYIL MÜZİĞİ’NDE GROUNDBASS TEKNİĞİNİN BAROK DÖNEMİN BAĞLAMINDA TEMSİL ETTİĞİ KİMLİK1