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This article aims to present a study of the reception of Ingeborg Bachmann's Undine geht. Her short story "Undine geht" from the collection Das dreißigste Jahr, deconstructs a major romantic myth by Friedrich de la Motte Fouqué's novella Undine. Bachmann's story focuses on themes like critic of social institutions and the masculine power, personal boundaries and the language of fiction. Bachmann discusses the Fictitiousness of the texts and tried to overcome the formal and contextual boundary of the traditional literature.