ARTHUR DANTO VE GEORGE DICKIE’DE SANAT ETKİNLİĞİNİN KURUMSAL YAPISI

Bir sanat eleştirmeni ve filozof olan Arthur Danto, 1960’larda ‘sanat dünyası’ nosyonuna felsefi bir tanım kazandırmış ve sanatın doğasına ilişkin kültürel bir yaklaşım geliştirmiştir. Sonrasında ‘sanat dünyası’, George Dickie tarafından sosyal bir pratiğe gönderme yapan bir kurum olarak tanımlanmıştır. Bu çerçevede Dickie’nin formüle ettiği kurumsal sanat kuramı, çağdaş sanat yapıtlarına da açıklama getirebilmektedir. Kurumsal sanat kuramına göre, bir nesne ancak ve ancak ‘sanat dünyası’ olarak adlandırılan bir kurum bağlamında bir sanat yapıtı olarak ortaya konabilmektedir. Bu doğrultuda, hem çağdaş sanat tarafından etkilenen hem de çağdaş sanatı şekillendiren kurumsal kuram ve yaklaşımlar irdelenecektir

Anahtar Kelimeler:

Sanat Dünyası, Kurumsal Sanat Kuramı, Sanat Yapıtı, Sanatsal Etkinlik, İnsan Ürünü Nesne

Institutional Structure of Artistic Activity in the Philosophy of Arthur Danto and George Dickie

Arthur Danto, as an art critic and philosopher, gave the notion of ‘artworld’ a philosophical definition and presented a cultural approach about the nature of art and artistic activity in the 1960s. After that, the ‘artworld’ is defined by George Dickie as an institution that refers to a social practice. Within this framework, Dickie formulated an institutional theory of art that can explain also the contemporary works of art. According to the institutional theory, an object can only become art in the context of the institution known as ‘artworld’. So these approaches and institutional theories of art that have shaped and have been shaped by the contemporary art will be scrutinized

Keywords:

Artworld, Institutional Theory of Art, Work of Art, Artistic Activity, Artifact,

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FLSF Felsefe ve Sosyal Bilimler Dergisi-Cover

Yayın Aralığı: Yılda 2 Sayı
Başlangıç: 2006
Yayıncı: Hamdi BRAVO

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