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CINEJ Cinema Journal

Yıl 2012 , Cilt 1 , Sayı 2

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Historical “truth,” constructed memory: restaging germany’s

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University of Pittsburgh1
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Film and television are popular media for the (re)presentation of history and the depiction of momentous past events. Germany's reunification is no exception. After the fall of the Berlin Wall, Germany has witnessed a proliferation of media production that endeavors to historicize and aestheticize the past. This coincides with the need to forge a post- Wall identity of the new Germany. My discussion of Thomas Berger's award winning television drama Wir sind das Volk. Liebe kennt keine Grenzen (2008) examines how reunification is presented in a mixture of fictitious elements and authentic historical reconstruction based on shared memories of this past. Following a melodramatic trajectory, the film aims at the reconciliation of German society as a people twenty years after reunification.

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